For the time being we'll have to learn the new GUI, wait, and see what's next, hopefully very soon. Time will tell if MC 2019.6 is theįoundation for a new MC, or it is just MC 2018.x with a new dress. To invest in functionality improvements with regards to ingest/output, dealing with different frame sizes/rates, playback AMA performance, subframe audio, and so on. Instead of taking care of the interface it would have been much better You might think I'm a conservative kind of person, but Don't know why but I think usatraveler was being sarcastic. Sticking to QT 32 is not up to the times, QT ref is badly needed, and so is transcoding, while not seeing a bundled Sorenson Squeeze replacement in MyProducts hurts, since SS is long EOL, and Avid export to widespread file formats relies on QT, or it's not available at all, at least in Windows (ever heard of ProRes?). In my shop it's only export workflows, tape is dead, and so is XDCam disks, except for some broadcasters. I'm not sure it's fully understood how critical export workflows are to users. This means hours of lost time on virtually every project, ESPECIALLY on AVCHD projects where I find background transcoding to error out every single time (persists in 2019.6), which therefore means planning foreground overnight transcodes and other ways of tying up edit systems. Which means that everything needs to be transcoded right from the beginning, even on newer systems that are perfectly capable of processing linked media in real time. This should not be necessary any more.īecause there's no direct (ideally background) native H.264 export, much like there has been in Premiere Pro using Media Encoder since at least CS6 and probably before, so nearly 10 years ago, it actually forces users to jump through hoops in iall stages of workflow, for the sole purpose of being able to do quick exports as videos get revised and new versions are output.Įssentially, QuickTime Reference outputs are still essential, especially for longer videos. The fact that the brand-new "Export Workflows" video jumps right into old, slow, 32-bit Custom QuickTime Export is absolutely mind-blowing.
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